So, all you need will be a computer to play and record music these days. Furthermore, you can use VST instruments to play or record instruments you do not physically have. All you need are some plugins such as virtual amps, effect pedals, even instruments that sound amazing and leave no space for physical equipment.Īnother good news is that, unlike the physical equipment, some VST plugins are entirely free, which you can use to play or record your instrument. Nowadays, you do not need expensive amps, pedals, or microphones to record or play guitar with a killer tone. ON THE INSIDE YOU WILL SEE A BATTERY CLIP TO INSTALL THE BATTERY INTO.As technology has rapidly advanced in the recent decade, computers are stealing more and more roles from physical musical instruments and accessories. JUST LOOSEN THE TWO REAR SCREWS FROM THE ENCLOSURE AND THEīACKPLATE WILL SWING OPEN. THE SUPREME DOES ALLOW FOR BATTERY OPERATION VIA A SINGLE 9V BATTERY. DO NOT USE MORE THAN 9V DC, OR YOUR WARRANTY WILL BE VOIDED. If you want to replicate the classic octave fuzz sounds of Pete Townsend, Black Keys, White Stripes, Beastie Boys, and Mudhoney, this is it. You will hear a much more pronounced octave up effect, thicker mid-range, and more available volume/boost. The “Mode” button activates our very own “JHS Mode” setting. Think of this as a preset scooped mid EQ control. The “Tone” button engages a mid cut that flattens out the Supreme’s attack and makes it more submissive. Volume makes the effect louder as you turn it and Expand increases the amount of fuzz. Red and blue, black and grey, white and black, you could pick your color. First produced in a simple, unassuming grey metal enclosure (1968), it transitioned into a more eye catching form factor utilizing a large rectangle foot pad that said SUPER-FUZZ in large letters across the top (1970). Thanks to product placement by Pete Townsend of The Who, the Univox Unicord Super-Fuzz version found fame above all the rest. This circuit found its way into the lineup of brands all over the world. Honey* soon became Shin-Ei* and by 1968 Shin-Ei* became the guitar pedal powerhouse of Japan, making Shin-Ei* branded effects as well as producing those same circuits for dozens of brands like Shaftesbury, Kent, Crown, Jax, and America's Univox. First produced inside of a large amp head sized multi-effect unit called the Honey* Psychedelic Machine (1967) and then re-released a few months later as a standalone pedal called the Honey* Baby Crying Effect. Playing a high octave up alongside the distorted note, this is an effect that demands your attention. This effect is an octave fuzz that turns any note or chord into a thick and searing texture. One of the most sought after effects from this time and place is the Univox Super-Fuzz. In the late 1960’s, Japan was bursting at the seams with amazing guitar pedal companies and innovations. Plug into a fuzz and plug into sixty years of beautifully broken sound. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. It is our way of ensuring that the stories of these effects live on in the music that you are going to make. The "Legends Of Fuzz'' series is our tribute to the most important fuzz circuits ever made. We have designed original circuits, replicated classics, and we have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought after circuits.Īt JHS, fuzz pedals have been in our lineup for over a decade. Imagine an Octavia Fuzz that woke up on the wrong side of the bed, and that’s what you're plugging into here: a loud, screaming, full and vibrant octave fuzz that is always at 11. Although every early version of this pedal sounds strikingly similar, this 1972 unit has a certain magic that makes it stand out above the others. The Supreme is an exact replica of my favorite Super-Fuzz in my collection, my extremely rare black and grey model.
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